Tactical Media and Disturbance Art

Twitter Fist

“The shift in revolutionary investments corresponds with a shift in the nature of power, which has removed itself from the streets and become nomadic.” — Critical Art Ensemble artist-tacticians, Qud in Rita Raley’s Tactical Media. Tactical Media Enter tactical media, a resistant form of cultural production that uses networked intelligence and digital forms to create… Continue reading Tactical Media and Disturbance Art

Usership, Intersubjectivity, Political Meaning

If the people who are making vernacular, politicized cultural forms are also using these forms and doing so in groups, how do we talk about them? What about when them are us?   Users are Experts Steven Wright*, in a 2007 lecture about people using socially-engaged art, points out that they are experts of their… Continue reading Usership, Intersubjectivity, Political Meaning

Hierarchical Power, Invisible Users

IWW poster, 1914 "The Pyramid of Capitalism"

“Envisaging an art without artwork, without authorship, and without spectatorship has an immediate consequence: art ceases to be visible as such.” – Steven Wright Part of the confusion between high art, activist art and participatory art and vernacular forms of politicized cultural works lies in determining where resistance emerges from, and against what. Perhaps, as… Continue reading Hierarchical Power, Invisible Users

Where It Lands: Users and Relational Aesthetics

We did an overview of what activist, and socially-engaged / participatory art is and who it is made by in the last posts, so now lets look at some of the ideas artists and makers invoke behind this type of work: users and usership, relationality, intersubjectivity* and groups. Users of the Art/Cultural Experience Activists and… Continue reading Where It Lands: Users and Relational Aesthetics

Makers: Actors, Artists, … Users

Image from the Interference Archive, Photo by Shaun Slifer

Who makes activist/political arts? The individuals and groups who make this kind of cultural production are primarily: movement actors [e.g. activists] within the communities meant to experience and co-create the work; artists, cultural activists, tool-having professionals, also often from within the discourse communities. These groups are far from mutually exclusive and often involve a lot… Continue reading Makers: Actors, Artists, … Users

Activist Art & Participatory Art

People's Park sign, late 1960s, S.F.

What We’re Looking For The first place I began researching was in and around the concepts of “activist art” and “political art,” both of which are colloquial terms that I hear and use regularly.  I was hoping to find a repository where an understanding of the critical importance of the role of those using or… Continue reading Activist Art & Participatory Art

Intro To Study

Over the next three months there will be weekly [ish] posts with writing and readings. Learn with me, talk back to me and each other. To get started and read along, I suggest the following: “Contributions to a Resistance Visual Culture Glossary” by Nato Thompson, http://journalofaestheticsandprotest.org/new3/thompson.html Peruse Beautiful Trouble: A Toolbox for Revolution, edited by… Continue reading Intro To Study

So Excited About Horizontal Networks and Radical Politics

I just finished a few proposals for the Allied Media Conference — which I swear I will co-work on organizing one of these years! — and one that I’m particularly excited about is called “Out of the Streets and Into the Networks: Horizontal Digital Collaborations for Radical Projects.” I’ve been growing in my comfort level… Continue reading So Excited About Horizontal Networks and Radical Politics